Bilge Serdar G?ks¨¹l¨¹k

• Riaz, Maham; Guo, Jinyue; Serdar G?ks¨¹l¨¹k, Bilge & Jensenius, Alexander Refsum (2025). Where is That Bird? The Impact of Artificial Birdsong in Public Indoor Environments. I Sei?a, Mariana & Wirfs-Brock, Jordan (Red.), AM '25: Proceedings of the 20th International Audio Mostly Conference. ACM Digital Library. ISSN 979-8-4007-0818-3. Vis sammendrag

  This paper explores the effects of nature sounds, specifically bird sounds, on human experience and behavior in indoor public environments. We report on an intervention study where we introduced an interactive sound device to alter the soundscape. Phenomenological observations and a survey showed that participants noticed and engaged with the bird sounds primarily through causal listening; that is, they attempted to identify the sound source. Participants generally responded positively to the bird sounds, appreciating the calmness and surprise it brought to the environment. The analyses revealed that relative loudness was a key factor influencing the experience. A too-high sound level may feel unpleasant, while a too-low sound level makes it unnoticeable due to background noise. These findings highlight the importance of automatic level adjustments and considering acoustic conditions in soundscape interventions. Our study contributes to a broader discourse on sound perception, human interaction with sonic spaces, and the potential of auditory design in public indoor environments.

• Serdar G?ks¨¹l¨¹k, Bilge (2024). Digital intervention into dramaturgical thoughts: The dramaturgy of remote dance improvisation. I Parviainen, Pessi & Rouhiainen, Leena (Red.), Solvitur Ambulando "solved by moving" : dramaturgies of artistic research : proceedings of CARPA8. Theatre Academy, University of the Arts. ISSN 978-952-353-074-4. doi: 10.13140/RG.2.2.12130.54721.
• Serdar G?ks¨¹l¨¹k, Bilge (2024). The clash between physical and digital realm: hybrid movement training during the pandemic. Discover Education. 3(1). doi: 10.1007/s44217-024-00158-y. Fulltekst i vitenarkiv
• Serdar G?ks¨¹l¨¹k, Bilge (2021). ¡®Soma¡¯ ¨C A New Body Phenomenon: Somatic Practices in Theatre Directing and Director Training. I Satkov¨¢, Na?a (Red.), Tendencies in contemporary theatre directing and theatre-directing education ¨C Book of Proceedings 2018 Theatre Conference JAMU. Jan¨¢?ek Academy of Performing Arts Atelier 205 / Academic Studies . ISSN 2787-9305. doi: 10.13140/RG.2.2.23874.59846.
• Serdar G?ks¨¹l¨¹k, Bilge (2021). Reflections of Embodiment and Enaction Theories on Contemporary Theatre Practices: Somatic Approach in Acting Training. Journal of Theater Critisim and Dramaturgy. ISSN 2687-4636. 0, s. 145¨C168. doi: 10.26650/jtcd.908412.
• Serdar G?ks¨¹l¨¹k, Bilge (2015). The Relationship Between Dance and Young Audiences: Aesthetic Distance, Identification and Aesthetic Experience. Creative Drama Journal. ISSN 1305-8177. doi: 10.21612/yader.2015.006.
• Serdar G?ks¨¹l¨¹k, Bilge (2014). The Possibilities of Dance as an Aesthetic Experience in Theater for Young Audiences. ASSITEJ ESPANA Bolet¨ªn Iberoamericano de Teatro para la Infancia y la Juventud (BITIJ). ISSN 0210-9182. 11, s. 193¨C211. doi: 10.13140/RG.2.2.33940.92808.

Se alle arbeider i Cristin

• Serdar G?ks¨¹l¨¹k, Bilge; Tidemann, Aleksander & Jensenius, Alexander Refsum (2024). Telematic Testing: One Performance in Three Locations.
• Serdar G?ks¨¹l¨¹k, Bilge (2024). Conducting Semi-Structured Dance Research in Motion Capture Labs.
• Serdar G?ks¨¹l¨¹k, Bilge (2024). Immersive Technologies in TYA: Bodily Concerns, Challenges and Opportunities.
• Serdar G?ks¨¹l¨¹k, Bilge (2024). Remote Intercorporeality Through Telematic Technologies.
• Serdar G?ks¨¹l¨¹k, Bilge (2024). Immersive Technologies and Their Implications in Theatre for Young Audiences: Challenges and Opportunities.
• Serdar G?ks¨¹l¨¹k, Bilge (2024). Remote Dance Improvisation Through Advanced Telematic Technologies.
• Serdar G?ks¨¹l¨¹k, Bilge (2023). Performative Quality of Aesthetics in Bio-Cultural Paradigm.
• Serdar G?ks¨¹l¨¹k, Bilge (2023). Digital Intervention Into Dramaturgical Thoughts.
• Serdar G?ks¨¹l¨¹k, Bilge (2023). Embodied Knowledge Production Through Telematics in the Hybrid Realm.
• Serdar G?ks¨¹l¨¹k, Bilge (2023). From Ritualistic Dance to Political Act: Embodying Oppositions Through Dancing Halay in Mass Demonstrations of Turkey .
• Serdar G?ks¨¹l¨¹k, Bilge (2023). Hybrid Format Movement Training Under the Pandemic Measures: A Clash Between Physical and Digital Realm.
• Serdar G?ks¨¹l¨¹k, Bilge (2023). The Challenges and Possibilities of The Hybrid Format Creative Process.
• Serdar G?ks¨¹l¨¹k, Bilge (2023). Phenomenological Inquiry of Movement as a Methodology in Performing Arts Education.
• Serdar G?ks¨¹l¨¹k, Bilge (2023). The Implications of Laban/Bartenieff Movement Studies in the Field of Dance Anthropology. Vis sammendrag

  In my presentation, I will discuss the application of LBMS in the field of dance anthropology and provide insights into its future implications. While kinetography (Labanotation) is commonly recognized and used in dance anthropology, the embodied aspects of Laban¡¯s work are often overlooked. Therefore, I will focus on the embodied aspects of LBMS in dance anthropology, rather than just notation. To start, I will provide a general overview of how dance analysis is understood within the discipline of dance anthropology. Then, I will argue how LBMS impacts the discourse of dance analysis. In the second part of my presentation, I will bolster my argument with an example by analyzing a short segment of the Caucasian folk dance 'Zafak' performed by the Nalmes State Folk Dance Company of Adygea. Through this example, I aim to demonstrate how dance analysis using LBMS can contribute to anthropological research.

• Serdar G?ks¨¹l¨¹k, Bilge (2022). From Bodily Interactions to Embodied Concepts.

Se alle arbeider i Cristin